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The freedom to create, the freedom to share, the freedom to develop

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Vesela Kazakova, actress
Open Projects Foundation

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I've been always dreaming

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about a place

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a place, where

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people could open themselves up,
just go off the hook...

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and fly... have the opportunity
to share their ideas

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without caring about being accepted or rejected

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Antony Raijekov, director and composer
Open Projects Foundation

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We do not want to create something
and tell people - This is what you need

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But we want to ask people

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I believe it is better to start off
openly, with a dialogue

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so that we could create a centre
that could gather everybody

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because everybody will build into it
something they want to achieve

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...or something they dream about.

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Open Projects Foundation
presents its dream about

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C3 - Free Culture Centre

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Yovko Lambrev, IT expert and Photographer
Open Projects Foundation

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Actually, first, we thought of C3 as a house

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We even used to call it: C3 - The House

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the idea behind this was to bring together
under one roof different “laboratories”

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different rooms that would be filled
with meaning - and with art

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something like one room for photography,
one room for video editing

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one room for an audio recording studio

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to which artist would have free access under the sole condition

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that the product they create there should be left free.

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So we are talking not just of a exhibition
space, but more of “art laboratories"

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Martin Mikush, Architect

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Sometimes I see it, this centre,

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it usually happens within these few seconds…

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...the moment before you wake up and
after slumber has already left you.

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I’d want to, when someday
a little person around 20

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comes with an idea, somebody to tell
him: “What is it you’re thinking?”

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and he will have the opportunity
to tell everything.

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Diana Dobreva, Actress and Director

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There is none. And there must be!

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It has to be created.

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And this will be a really powerful
place, I am sure of this.

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Martin Razhdashki, Actor

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Bulgaria lacks this initial phase
of catalyzing the creator.

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It turned out that this idea has been
growing in the heads of many people,

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both from our generation
and the one a bit older.

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Because along with the institutions
where art can be born,

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there must be also open places that
would allow things to happen spontaneously.

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I saw a really nice installation,

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which was nothing but black space and a tablet,

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and anybody could draw in that space – it’s three-dimensional.

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You can just change the colour and draw something.

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Nobody can, however, erase anything.

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A space without boundaries,
i. e. its boundaries depends on

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where you can draw it to…

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or… up to where you can dream it.

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Rossen Antonovsky
VOXX Audio Lab

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VOXX was created in 2004 and
it is where we came up with the idea

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to have some kind of space,
which would be physical space,

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not just Internet-space,

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where every young author related to
computer-generated music

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will be able to create and
give birth to his art

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without depending on the musical industry.

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And there was actually great interest
on the part of our target group, 

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which is young people with talents
in computer music and sound editing.

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An incredible number of young people
came, people from the forums,

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mainly from the Internet,
because it’s the Internet

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where VOXX and other similar
organizations and projects started from.

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Heliana Velinova
“Stretching Spaces” Net Label

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The people from our community,
people we got to know around the label

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need to promote somehow
what they’re doing.

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And we made two contests.
The first contest is „REMIX”

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And it suddenly appeared that there is
enormous interest in this. Enormous.

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An awful lot of people submitted their music

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For less than a month – 150 tracks,
remixes of the relevant track, “The Tunnel”,

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were published on the website.

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And this convinced us, that
Bulgaria has a community

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that longs to express itself,

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that has a need to create,
a need to expose.

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Kiril Yanev
“Balkandji”

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We created the band itself
while trying to remake

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folklore songs.

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At some point we found out we were
not that bad at doing it, and we substituted

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the folklore songs, all of which are
under a Creative Commons license...

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We substituted them for our own ideas,
which are alike folklore in motive,

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in meter, also the texts and the music.

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And something very interesting
emerged. We called it "Balkandji".

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From the very beginning we were
wondering with Nikolay Barovsky

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whether it would be possible in a
perfect world to throw the ideas

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we have; some of them we would
develop ourselves, but as we


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didn’t have enough time even them,
we were talking of giving


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to somebody else to develop.
It’s been our dream for quite a while


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in some way to involve more people
into the development of this idea.

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Tzanko Vassilev
“Student Film Forum” Foundation

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We are teaching cinema. Our film forum
was born out of great necessity.

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There must be a tribune where you
can show your movies,

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a place where you can compare
your art and this of colleagues,

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you have to see what your colleagues do.
When I was studying movie directing

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I had no idea about what's going on
in other universities.

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There was no place where you could meet
people and see who is studying what

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and what others have created.
First we decided to organize

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a film festival and show that we
were capable of doing such a thing.

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We set up a small editing studio,
which is open for use by everybody

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or almost everybody.
You must have a project

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and you must have motivation to implement it,

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you have to convince me that’s something you need.

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We are trying to talk about
free art... or art in general

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in its initial form, where business
and money are not important.

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The idea or free culture in some sense
places the idea before the author.

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It places the idea in such an environment
where it could be freely developed...

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...talking of freedom, which in my
view is a crucial value of art...

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In my view, there is no art without freedom.

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The sole name of this thing is so strong
and somehow imperative.

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It sounds as a breath of fresh air
for art in Bulgaria.

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Because a free culture centre is really
something that this country

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desperately needs, and especially the
young creators, which in my view

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are the future of art.

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An artist must be seen by
as many people as possible,

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and not only be seen,
but be heard, etc.

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Peyo Popov, Jurist
Open Projects Foundation

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C3 is a free culture centre.
C3 is divided into labs -

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a photo-lab, a mobile audio-lab,
a modular stage, which can serve

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along with theater performances,
other new and boundary forms 

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such as physical theater and other
scenic and performance forms.

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There is a video lab. There is a movie hall with 33 places.

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The scene will be just an empty space,
where in different modules

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each time different scenography could be created.

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One of the “rooms” which I have defined
and which I plan to bring to life

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is a project called Simple Studio.

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With a couple of other photographers
we have the ambition to create a photo-studio

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with all of its equipment freely accessible

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for all young photographers that would
like to express themselves there.

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We would offer the complete
equipment of the studio

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as well as our own time with it
to be at the service of young talents

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which would shoot there, work with models and etc.

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And in the end we will provide
for some kind of exhibition

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or their pictures can participate in
different contest or come out

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in magazines that we have
contacts with, and so on.

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The young people in Bulgaria, the young artists
have no place where to create.

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And this is a fact.

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Theaters in Bulgaria and especially in Sofia,
are working with the same people

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for many years,
It’s very difficult to break the system

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and to enter a theatre,
to create a performance,

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a performance of a new kind –
modern theatre,

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and I don’t mean alternative theater,
what I mean is modern theatre,

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which is a significant factor in Europe,

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while in Bulgaria it somehow doesn’t exist yet,
and this is exactly due to the fact that

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theaters are still slaves of a very archaic system,

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which doesn’t allow young directors.

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Zornitsa Sofia, Director

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In developed countries, i.e. not
the so-called “developed countries”

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but in countries more developed
from a social, civil point of view,

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abandoned spaces are given out
without being leased or sold

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to painters, artists, to people
that would turn them into 

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cultural centres or even studios.

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I’ve seen this in Amsterdam, in Germany...

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…in Slovenia.

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Is it better to have an abandoned building
on a main communication artery

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or not on a main one in the city
instead of a functioning centre?

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Even though the municipality won’t make
any money out of it or won't sell it,

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or get enriched, but the city becomes more beautiful

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and society becomes richer, because artists and organisations

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that wouldn’t have been able to afford this

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are allowed to speak out.

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Dessy Gavrilova, Director of “Red
House” Centre for Culture and Debate

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I suppose it would be both difficult and
easy. Let’s start with the hard part.

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I think it will be difficult, because what you do is

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an attempt to impose an understanding of culture

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which is very different from the
understanding with which

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work the institutions to which you
will eventually turn for support.

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But on the other hand I hope it will be
easy, because I think that your idea is


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a captivating one and I hope there will
be a lot of people who will join you


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in one way or another and help you with
what they can, every single one of them.

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Biliana Tomova,
Association of Culture Managers

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I think there are two main questions,
the first one being “Why is there a need

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for such a centre?”. For me this is not
a question – I have the answers,

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But when you present your thesis
this becomes a public issue.

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And the second question is
“Where would the money come from?”

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Because the answer to the first is, I think, clear a priori.

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But I will still focus on it. So – why?

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Firstly because a new generation is
entering the cultural sphere.

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They are very different – and they are artists of high quality

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and with a new impulse -

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as they have lived through more
than those before them.

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In the past 10-15 years things have
changed dynamically in our society.

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And we are expecting from them
to express this in some way

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in what they feel, in what they want to create.

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But they don't have where to expose their artworks.

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And a lot of people who graduate

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from the theatre academy,

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or in photography, or designers

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carry ideas which have to wait for
years before being implemented.

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Such a "free space" would
give this opportunity

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in the most efficient way.

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Naum Shopov, Actor

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This is something that could create

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conditions for continuity.

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Something that...

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even by being itself static

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will create motion.

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Yavor Gardev, Director

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Sofia is that kind of a city which,
unlike cities that are dynamic

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is both dynamic and neurotic,

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it gets on your nerves.

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There are big cities with a fast
rhythm, which still remain relaxed,

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they don’t depress you.

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Sofia, on the other hand, is now in
such a phase that it is depressing. 

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And it would be good for this culture centre

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to be also a place for that kind of relaxation,

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for release from this hysteria.

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It is absolutely necessary, in my view,
that such a place is created. 

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I would call it an aggressive place,

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a place where young people would fight

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and impose their new ideas 

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and new explorations

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which we don't have nowadays 
in Bulgarian theatre.

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And even if we have them,
that's just like

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an occasional separate spark, 

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it's not carried on like

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which would be created as a free culture centre

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its policy will be exactly to

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build the way for new art,

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for new theatre,

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new cinema

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for new people.

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It is possible that such a centre could
also spring out somewhere else 

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in Bulgaria or around the world.
We sincerely hope that

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with C3 we could provoke 

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lots of our partners abroad 


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to start similar projects, 
either with us or autonomously.  


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There is nothing impossible!

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It's just that the system somehow

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establishes rules 

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to be followed. 

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But what an artist needs is freedom.

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He needs to launch out 

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without having to take into 

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purely conventional,

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imposed frames.

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Free culture has no

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aesthetic boundaries,

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has no...

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aesthetic limitations.

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But it has ethical norms.

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Such place would be 

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very communicative.

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pulling together...

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A place for people who...

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crave for "giving birth" to their ideas. 

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The different labs can provoke the birth 

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and expression of contemporary forms of art. To develop,

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as well as provoke educating.

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Formalities would go away.

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This is exactly what is so beautiful about this centre.

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It will nurture a communicative, creative environment

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which challenges you constantly, 
snowballing, a creative impulse. 

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It's just that many people really want 
to show their art somewhere, to somebody. 

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They are exactly this kind of non-commercial artists 

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who make art for the sake of art.

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If we do not keep record of the process, 

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if we don't have free and easy access 

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to those resources of the past 

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even this second, that just
fluttered away, is the past

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I think that we lose the future.

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I want to play in movies, I will continiue... 

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I will continue to fight 
for independent theater projects...

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But I think that...

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the fact that we gathered together,

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the setting up of Open Projects Foundation 

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appeared to play a very
important part in my life...

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That's just how it happened. 

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And the more I think of it, the more 
I believe... there is no way back.

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Ivan Koichev - Vienna, Austria
Stage Designer and Director

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I am very optimistic about things

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And I know there are people out there 

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who would really look freely at things

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and say: 

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"OK - now's the right time!"

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Such a centre should be able to gather

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all those forces and energies, 

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which are still unbridled,

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which still haven't found a channel to move along.

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I am sure that one of the major potentials
of this centre will be that...

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it will try to bring people together

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regardless of any boundaries or limitations. 
That's it.

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And it's out of question 
whether there is a need for this. 

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It's about...

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I don't even want to 
bother myself with inventing

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reasons like "Why?", "At any cost", political, social... no.

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It's just that one should be able 
to face an idea freely. 

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So the question is...

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Do you C3?

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This movie is a result of interaction between

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Open Projects Foundation
www.openprojectsfoundation.org

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Vesela Kazakova
Actress and composer

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00:22:44,000 --> 00:22:46,000
Antony Raijekov
Actor, Director and Composer

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00:22:46,000 --> 00:22:48,000
Yovko Lambrev
IT Expert and Photographer

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00:22:48,000 --> 00:22:50,000
Martin Mikush
Architect

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00:22:50,000 --> 00:22:52,000
Peio Popov
Jurist

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00:22:53,000 --> 00:22:55,000
and

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00:22:56,000 --> 00:22:58,000
Diana Dobreva
Actress and Director

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00:22:58,000 --> 00:23:00,000
Martin Razhdashki
Actor

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00:23:00,000 --> 00:23:02,000
Rossen Antonovsky
VOXX Audio Lab

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00:23:02,000 --> 00:23:04,000
Heliana Velinova
"Stretching Spaces" Net Label

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00:23:04,000 --> 00:23:06,000
Kiril Yanev
"Balkandji"

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00:23:06,000 --> 00:23:08,000
Tzanko Vassilev
Student Film Forum Foundation

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00:23:08,000 --> 00:23:10,200
Zornitza Sofia
Director, "Mila from Mars"

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00:23:10,350 --> 00:23:13,700
Dessislava Gavrilova, Director of
Red House center for culture and debate

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00:23:14,000 --> 00:23:16,000
Biliana Tomova
Association of Culture Managers

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00:23:16,000 --> 00:23:18,000
Naum Shopov
Actor

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00:23:18,000 --> 00:23:20,000
Yavor Gurdev
Theatre Director

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00:23:20,000 --> 00:23:22,500
Ivan Koychev
Director and Stage Designer

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00:23:24,000 --> 00:23:26,500
Alexander Antonov
Cameraman feelme crew

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Creative Commons licensed music by: Antony
Raijekov, Balkandji, Equivallentium, D.O.L

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00:23:34,250 --> 00:23:36,500
Directing and cutting:
Boyan Kostov

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00:23:37,500 --> 00:23:40,000
Subtitles:
Hristina Nedkova and Yovko Lambrev

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00:23:40,000 --> 00:23:42,500
English translation:
Anna Stoeva and Martin Mikush

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00:23:45,000 --> 00:23:49,000
The authors of this movie declare that the movie
itself or any part of it are free to distribute,

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00:23:49,000 --> 00:23:53,050
copy, modify, broadcast or screening
even commercially, under the terms of the

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00:23:53,050 --> 00:23:56,900
Creative Commons Attribution License 2.5
http://creativecommons.org/licenses/by/2.5/

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00:23:57,000 --> 00:24:00,000
Produced by Open Projects Foundation
Bulgaria, Sofia, November 2006

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00:24:08,000 --> 00:24:11,000
The C3 abbreviation has been inspired from
Creative Commons Center combination of words

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00:24:11,000 --> 00:24:14,000
but the project is not controlled or
operated by Creative Commons Corp.

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00:24:23,000 --> 00:24:28,000
You can join the project or share your ideas
at http://openprojectsfoundation.org